Antioch Panel Speaks at Wittenberg

“In my mind, Antioch has a soul,” mused Antioch College professor Scott Warren to a small audience gathered at Wittenberg University last Wednesday. Community members Jeanne Kay, Scott Warren, Scott Sanders, and Wittenberg professor and Yellow Springs resident Laurie Askland comprised the panel in order to openly discuss the circumstances regarding the closing of Antioch College.
The panel started off with college archivist Scott Sanders, presenting pieces of Antioch history to illuminate parallels between the college’s current financial situation and those of its past. According to Sanders, the year 1880 saw no graduates and concerned alumni and students met with the college’s Board of Trustees in order to prevent the closure of the college. Sanders also described the events of the summer that led to the announcement of closure as “surprising” and elaborated upon the efforts of friends and alumni of the College to prevent the suspension of operations that is planned for July 1, 2008.

Jeanne Kay, a second-year globalization major at the college, providing a student perspective to an intimate crowd in the Wittenberg auditorium, lamented the wave of “bad press” over the summer, following the announcement of suspension of operations. Kay stated her concerns about limited operations, facilities, and the number of students on campus, but she disputed the sentiment parlayed in newspapers across the country that campus culture has had a negative effect on the retention rate of the college. she pointed to the 100 percent retention rate of the incoming class and the fact that the second-year class has had half of its original students return to campus even after the news of suspension of operations as indicative of the environment of tolerance resplendent on campus.

Scott Warren reminded the audience of the economic implications of the college’s closure to the community of Yellow Springs and the Miami Valley. Laurie Askland, a town representative and professor of Women’s Studies at Wittenberg University described the college as the “heart” of the village. “It became clear to me how much the fabric the community I lived in was linked directly to the college,” she said.

Warren further described the measures currently undertaken by the campus community and Yellow Springs to prevent the suspension and panelists listed their favorite websites for news and background on everything Antioch.

A week after the event, it becomes evident the wave of direct action, generated by alumni and friends of Antioch college since this summer, has found its way to the Wittenberg community. Students that were present at the panel discussion have contacted Wittenberg faculty and facilitators to inquire after ways start campaigns to effective fundraise for Antioch College.

Dispatches from Yellow Springs Save Antioch Group

 A handful of townies, students, faculty andstaff met in the Coretta Scott King Center on Thursday 27th September for what will now be a weekly meeting of organizing and information exchange. The two main items on the agenda were Founder’s Day and Homecoming preparation. Students planning Founder’s Day expressed their wish to have the Yellow Springs community participate to the event. “We wanted to make sure that everyone could participate so we made [the parade] start later in the afternoon’”  said Antioch student Molly Thornton, who helped organize the event. The parade will be leaving the stoop at 4:15 p.m. and its itinerary includes the main axes of Yellow Springs.

Group coordinator and alumna Judy Wohlert-Maldonado expressed concern at the potential lack of lodging for Homecoming weekend. The Board of Trustees Meeting of the weekend of the 26th/27th of October will be heavily attended by alumni, and in parallel the Peak Oil conference will take place, thus overbooking accomodations around the town of Yellow Springs. Though talks of opening South Gym to alumni and their sleeping bags are in motion, Wohlert-Maldonado called for all community members, especially college faculty and townspeople to open their homes to visiting alumni.

The next Yellow Springs organizing meeting will take place on Thurs. Oct. 4th  at 7 p.m. in the CSKC and is open to all community members who want to make signs for the parade and discuss the referendum.

Collaborations at the Herndon Gallery

  A series of work collected from the past sixteen years hangs proudly in the photo show “Collaborations” at the Herndon Gallery. The show provides spectators with an overview of pieces by Professor of Photography Dennie Eagleson and her students, taken from larger projects.

There is an atmosphere of accomplishment in the gallery, as this work is what characterizes Eagleson’s experience of teaching at Antioch College. It is the reviving of a complex form of art that does not hang lightly for the casual observer, and this is why it is essential to Antioch. “Nobody comes to Antioch and finishes casually,” Eagleson says.

Continue reading Collaborations at the Herndon Gallery

A Week with the Maasai

African Time, like Antioch Time, is an elusive force that moves all appointments back by anywhere from fifteen minutes to an hour. So Sarah and I are not surprised when we are asked to wait for twenty minutes in the back of the truck that is to take us out to the rural secondary school where she is working. Then abruptly, there is a further cause for delay. From just beyond the nearest line of stone-and-metal houses, a cloud of black smoke boils into the air. People from the far fringes of this town become aware of it before we do, and everyone seems suddenly to be on the move. Men and women are running toward the smoke, scooping up small children, while even smaller ones, temporarily abandoned, toddle after.

The ten or so people with us in the back of the truck–most of them Maasais in various purples and reds–also pour out. We follow them. This town is Monduli Chini, and Monduli Chini’s main source of petrol (that’s gasoline, to you) has just burst into flame. The petrol vendor’s house, which was also his shop and storeroom, has caught fire and the man himself has been rushed off to the hospital with grave burns. No one bothers to return to the truck. There is not enough petrol in the tank to get us where we need to go, and not enough in the town to fill it.

The truck sets off in search of a source of fuel. African Time ticks on. Where they find the petrol, Sarah and I aren’t sure. It is nearing dusk when we arrive in Eluai. The place is named for the Maa word for thewhistling acacia: a silver tree with nail-length thorns that alternate on its branches like barbed wire. Each tree is laden with a number of inky black pods, and in many of the pods ants have bored small holes. When the wind blows—and in Eluai the wind is always blowing—they keen eerily.

This is a place full of strange plants. One tree has an acidic sap that can take flesh from bone. “If you swallow,” one local boy warns gleefully, “it kill a man in one minute.” The most colorful plant in the area is a spindly shrub that puts out sprays of yellow, jawbreaker-sized fruits; the fruits are poisonous, but the roots make a traditional Maasai medicine for malaria. Also present are the monolithic baobab trees, with fruits that resemble nothing so much as hand grenades. The grass here is sharp and whiplike. The ground is hard and carved by dry gulches. It seems an unlikely place for the cradle of humanity, but the famed Olduvai Gorge is just next door.

Noonkodiin, where Sarah works, is the area’s only co-educational secondary school, and it serves the Maasai people. With most of the students gone on break, the compound is calm. In the night, the hyenas come out and the wind breaks against the metal roof, which thrums like a sounding board.

But the mornings are quiet. There are women singing over the cooking fire in the kitchen. There is Sarah and her Pali chants. Nothing like it. (One of the mornings, an exception, finds us waking up to the rambling monologue of the local madman, who apparently wanders the area unmolested.)

Then from Eluai it’s out to the home of one of the students, at his invitation. The journey is four hours on foot. At first there is a dirt road. Then there is a cowpath. Finally, there is just scrub. When we reach the half-circle of thatched dung homes that house this student’s family, we collapse onto stools and are given bottles of lukewarm Coca Cola.

Our accommodations for the night are ample by the standards of the place. The student–whom we know as Daniel–and his father have vacated their own bed for us to use, but there is a catch: they have installed with us Danny’s little sister, a grinning, gap-toothed little goblin who kicks in the night and clambers across us once or twice early each morning. It’s a mystery to me how one small girl can find my kidneys so unerringly in near darkness, but she does it.

“No one bothers to return to the truck. There is not enough petrol in the tank to get us where we need to go, and not enough in the town to fill it.”

If I weren’t slowly beginning to learn otherwise, I would assume that these people were living as they had been for hundreds of years. But the land shapes the people, and the lack of it even more so. They are not nomads any longer–there is not room for that. And the bomas, which used to house unrelated people, no longer does–a result of the government’s policy of parcelling land out to individual families.

There are bead-decorated calabashes as well as plastic buckets to be found here. Glass beads and imported plastic ones. But there are deeper surprises here too. Daniel’s father, for instance, calls himself the chairman of the forest. As far as I can tell, his job is to work with the government to make sure local people obtain the paid permits required to cut wood in the area. He complains bitterly about those violators who destroy the environment.

And later, prompted by Sarah, Daniel shows her a pamphlet his father gave him on female circumcision. His father has told him he will never circumcise another girl in the family. It must be a recent decision: in a water-blotched photo album that Danny’s mother shows me, several color photographs show a slim young woman in a white dress, accompanied by her glowing family in ceremonial garb. These document the day of her circumcision. Their expressions are unreadable, but there is an unmistakable air of satisfaction to them. Meanwhile, the male circumcision rite is strong. On the way down from a mountain hike, Sarah and I see young men running towards an unknown destination. Curious, we inquire with our companions, who tell us that the men are running because they must all arrive together at the  place where the collective circumcision of the latest age-group is being celebrated. It’s African Time, and they are late for the party.

Patriarchy in a Post-9/11 world

Last Saturday,  professor of popular culture at Bowling Green State College and Antioch alumnus, Dan Shoemaker, presented his lecture, “Patriarchy and Post-9/11 Cinema” in McGregor 113. The presentation, slated to begin at 6 p.m., in typical Antiochian fashion, took half an hour and a series of phone calls before attendance was high enough to justify warming up the projector, but eventually the show attracted a crowd of over 30 students.

A graduate of the college with a BA Communication and Media Arts, Shoemaker started off the presentation by discussing his own opinions on modern cinema as a professor of popular culture. “Like most people,” Shoemaker said, “I go to the movies to be entertained and illuminated. Unlike most people, when I see something that bugs me, I write a paper about it.”

Questions of critical film viewing framed Shoemaker’s dissection of cinema and his final conclusions of conspiracy. “Whose fantasy is it? What version of happiness is endorsed? What logic makes it to make sense?” he pondered, while showing excerpts of movies like Million Dollar Baby, and Boondock Saints.
“In the wake of 9/11,” Shoemaker finally suggested, “American people needed assurance, and Hollywood stepped in to provide it.” To back up his claim, he cited examples of classic Hollywood responses to real-world crises; Invasion of the Body Snatchers, War of the Worlds, and Voyage to the Bottom of the Sea. These examples today seem obvious illustrations of blatant propaganda. Shoemaker argued that current cinema is no less  propagandistic, if one only knew where to look.

Initially, Shoemaker’s claimed that Hollywood was deliberately putting subliminal, conservative messages into mainstream films were suspect and far-fetched. His specificity in particular was cause for skepticism; Rumsfeld’s reasoning behind the Iraq war promoted in Million Dollar Baby, specters of the Bush administration in The Boondock Saints, and so on. However, as Shoemaker screened a series of scenes from recent and not so recent films to illustrate his points, his theories became increasingly plausible. The promotion of patriarchy and family values can be easily seen in most modern films, but Shoemaker also pointed out examples of hegemony, anti-pacifism, gender role reinforcement, and religious fanaticism. Some of his points were still a stretch to see, but others came to life on the projection screen in McGregor and posed real cause for concern as to the state of cinema today, making Althusser’s  quote “The media reinforces dominant ideology,” once again tangible.