Author: Record Editors
Record Vol 63 Issue 22 – March 6, 2008 – PDF
AdCil in Exile?
By Jeanne Kay
Community Confused by Announcement
By Jeanne Kay
On Friday, February 22nd, Interim President Andrzej Bloch announced to the Antioch Community “the reconfirmation of the decision to suspend operations of the college on June 30th for at least one academic year.†Students, faculty, staff, alumni and Yellow Springs residents gathered, like they had many times since last June, for an emergency community meeting in McGregor 113. The Interim President had just flown back from Los Angeles, where the Board of Trustees (BOT) meeting was still being held, to present the college community with the resolution of the trustees’ discussions concerning the immediate future of Antioch College.
The discussions took place on Thursday the 21st, Bloch specified in a later interview; they started early in the morning and lasted until the mid-afternoon. The negotiating team, composed of Chancellor Toni Murdock, Chair Art Zucker, Chief Financial Officer Tom Faecke, and two attorneys, presented the trustees with a report based on their negotiations with the Antioch College Continuation Corporation (ACCC.) The trustees, Bloch said, “concluded that there weren’t sufficient material, sufficient grounds, to take action.†Therefore he decided, with the approval of the board, to come back to campus to inform the community. Continue reading Community Confused by Announcement
Cuban Arts at Antioch: Two Events
by Alaa Jahshan
        Listening to Jane Bunnet and the Spirits of Havana improvise through a fusion of Jazz and Caribbean beats is like watching a painter create a masterpiece before your eyes. Jane Bunnet and the Spirits of Havana performed for their third time at Antioch College. After playing a piece that got many heads bobbing, Jane Bunnet introduced the band, including her husband Larry Cramer on trumpet, Osmany Paredes on piano, Yunior Terry on bass, Jorge Najarro on timbales, and Arturo Stable on congas.
        Bunnet’s performance on the soprano saxophone was far more enticing than her solos on flute. She improvised and performed with fluid technique that was easily moving. Her squeals and reaches into the upper registers were very exciting to hear coming out of a soprano saxophone. Paredes’ hands could be seen from time to time jumping up and down, dribbling into many juice chords and arpeggios. Terry’s skill in playing bass was very integral to the performance of the group, as were the two percussionists. The three added a lot by being singers and improvising for short bits within the pieces they played. Solos by Cramer were wonderful yet sometimes felt pushed. As commented on by several audience members, the sextet did not perform so harmoniously together, yet still were extremely skillful.   Continue reading Cuban Arts at Antioch: Two Events