Uncertainty, for a Change: Nonstop in Limbo

By Jeanne Kay

“A sense of deja vu” is how Lincoln Alpern, Nonstop returning student and Antioch class of 2011, describes the uncertainty regarding the future of his education in Yellow Springs. After the publication of the Letter of Intent (LOI) paved the way for the reopening of an independent college, many questions remain about the near future of the former Antioch faculty, staff and students.

The Nonstop Liberal Arts Institute (NLAI), a project of the College Revival Fund (CRF) to keep the DNA of Antioch alive until the college reopens as an independent institution, is guaranteed funding until June 30th, 2009. According to CRF Acting President Ellen Borgersen, the decision to provide funding past this date will be taken at the March 6th/7th Alumni Board meeting, but she specified that this could change; “It’s really gonna come down to the money,” Borgersen emphasized, “Raising money for Nonstop outside of Yellow Springs has been difficult.”

Meanwhile, the Nonstop community remains in a precarious situation. Borgersen enjoined faculty and staff to get a plan B: “I am not in a position to ask anyone to delay doing what they need to do to protect their careers, their families, their livelihoods;” she said, “I deeply regret that that’s the case but ethically, I couldn’t possibly ask people to make decisions about their lives based on the assumption that we’re going to be continue Nonstop.”

Staff and Faculty in Limbo

Beverly Rodgers was a member of the Co-op faculty at Antioch before she became Associate Professor of Anthropology in 2004. She now teaches at Nonstop but knows that after June 30th, her salary will no longer be guaranteed: “I’ve been applying for positions since the announcement and continue to do so;” she said; “I have to do that because I can’t live on 319 dollars a week-that would be my unemployment. We [she and her husband] have decided that by the 1st of April we’ll have to decide whether or not to put our house on the market … I know what our insurance would be and I know that we can’t afford it.”

Nevin Mercede taught Visual Arts for ten years at Antioch College before she joined the Nonstop faculty because she believed that “that the college was closed inappropriately,” as well as “in Antioch: its values and its mission.” She thus “wanted to make it continue in any way that [she] could.” She is also preparing for the worst case scenario, with limited optimism: “I’m looking at things because you have to, just like students have to … but the market is exceedingly difficult especially for people who’ve reached the ripe age I’ve reached and especially in the field that I’m in.”

Nonstop staff too are worried about their job security; yet, as Registrar Donna Evans pointed out, “A lot of the people in the United States today are all in that situation, so I guess I’m not any different than anybody else – not knowing whether or not their jobs will be present in six months time.” Evans worked in the Registrar’s office at Antioch College for 18 years and became Head Registrar in 2004. She finds Nonstop “a little less organized but honestly not that much different” from the college. “I’m looking at the paper, looking at job advertisements;” she said, “I would love to be able to find another job or know that I have some place to go come July 1st. I can’t go without insurance … I am hoping that I’ll have a future with the new Antioch College.”

Students’ Prospects

As to students, feelings and prospects vary greatly. Lincoln Alpern has made no plans to transfer: “I’m expecting that there’ll either be Antioch or Nonstop continuously assuming the negotiations for the college go through,” he said, “I feel like we’re going to keep going, and that things are going to be alright.” Caroline Czabala, class of ‘11, will be attending Naropa University in Boulder, Colorado if things fall through after June. She says Nonstop taught her to speak her mind, and most importantly to keep going: “Wherever I go I’ll be like: going to Nonstop was really crazy, this is so much easier!”

A variety of options are available to students after this term. “Since the number of students isn’t so large we can find out if there are other schools people are interested in applying to … and help them with that process-including … ways to get their credit equivalents accredited at another place” explained Coordinator of Student Services Joyce Morrissey. Ellen Borgersen suggested that students get “the basics of a liberal arts education” at surrounding colleges while maintaining a program in Yellow Springs “that supports community” until the college reopens in 2010. Executive Collective members Susan Eklund-Leen and Hassan Rahmanian are hoping that students will go to co-op in the summer and come back for a fall term in Yellow Springs.

Nonstop and the new Antioch: Collision or Integration?

As well as the personal stakes involved in the future of Nonstop, institutional questions stem from the possibility that the heritage of Antioch could be further dilapidated if a hiatus between Nonstop and the new college were to break down the community. Chelsea Martens, Class of 2008 and Community Manager from 2007 to present, strongly opposes such a separation: “I think the question that has to be answered is: what is Antioch college? And Antioch College, as of 2008, is the current faculty staff and students and that is what Nonstop is a home to.”

To Martens, keeping Nonstop alive until the college reopens would also be a strategic move on the part of the ProTem Board: “I don’t see how a curriculum could be developed, administrative systems developed, and culture continued if the current faculty staff and students do not have a place now to develop these things;” she said; she further suggested that all Nonstop staff faculty should be hired on, and the project funded until the transition; “I don’t see how you could recruit 150 students without them seeing classroom activity, student culture, and community be enacted.”

Nic Viox, a 1st year Nonstop student -and new ComCil chair- who has been helping to build the Nonstop Headquarters at Campus North, believes that there is hope for Nonstop to garner enough alumni support to continue until Antioch reopens: “I know that there’s a lot of people who are willing to fight for it; from what I understand on ACAN a lot of alumni are behind Nonstop, and a lot of Alumni Board members are behind Nonstop; so I hope that it will continue.”

Faculty involvement with the new college

After the publication of an online article by Charlotte Allen in which Lee Morgan was quoted saying that the former Antioch faculty were “not going to set the curriculum” for the college, questions arose about the extent to which faculty would be participating in the recreation of Antioch. Professor Nevin Mercede believes that “the board ProTem and others would benefit by bringing [the faculty] into the conversation.” “We’ve proved ourselves flexible enough, having had 4 curricula in five years,” she argued; “We don’t insist that whatever gets created there be what we created in the past but rather we’d like to bring the things that we found successful from the past and offer them as a possibility for the future and have that be part of a discussion.”

A “Transition Council” (TransCil) that would be advisory to the ProTem Board will be formed in the upcoming weeks, Matthew Derr announced at the January 27th Nonstop Community Meeting. ExColl member Susan Eklund-Leen recalls that “the promise was made that former Antioch faculty would have some involvement with the transition council.”

“Something called Nonstop doesn’t have an end-that’s in the name”-Gerry Bello.

The future of Nonstop will be clearer after the Alumni Board meeting of the first weekend of March, and even more so at the end of the 90 day period leading to the Definitive Agreement. Despite the existential uncertainty, Nonstop continues on its course and has set out for a term of classes, community and Nonstop Presents events. “The best thing that we can do this term is do this term the best we can” summed up Community Manager Chelsea Martens. Nonstop is not simply a bridge, it is also an educational institution with tremendous intrinsic value, according to CRF President Ellen Borgersen, who declared: “I think that the students who have taken the step of coming to Nonstop are some of the most courageous committed and intellectually serious students I’ve ever met. It’s a phenomenal group. The Antioch faculty is phenomenal, and the entire community, including the staff, have created a miracle here. I’m very much hoping that we can find ways to carry that forward to the new college. It’s a terrific foundation on which to build a revitalized Antioch College.”

Alum Lichtig Wins Goshen Peace Play Contest 2008

Robin Rice Lichtig, Antioch Alum and accomplished play wrightRobin Rice Lichtig, Antioch College alum (59-63) placed in the top three in the Goshen Peace Play Contest 2008 this summer for her one act play, “Blood Sisters.” This prestigious award is hardly the first Lichtig has received in her play writing career.

According to Lichtig, the world of play writing is a tough one. “Any where I send a script for a competition, they get any where from 500 to 1000 scripts.” However, for Lichtig and other playwrights, contests are only the beginning. “I remember you asked me ‘what does this [award] do for you’ – and I said ‘nothing’ and it really does do nothing at all, except that when you send the play out you can mention that it was a winner,” she said. “All it ever gets you: Sometimes you get a production. Sometimes you get $300 if you’re lucky, but really that’s about it.”

Lichtig specifically spoke about the difficulty of landing a major production. “There are almost no agents for playwrights; they’re getting out of the business. It’s financial.” she said. Lichtig went on to describe a conundrum she says she and others are experiencing. Landing a major production is very difficult, especially without an agent, but the agents still in the business only work for those who have had major productions.

Lichtig also spoke of another difficulty she’s faced, one that she “didn’t want to recognize for years.” “It’s something like 12% of all the plays that are done are by women, which is a worse percentage than it was 30 years ago.” she said. “It’s a very complex situation” she said, before going on to say that “part of the reason is that the artistic directors and the boards of directors of theaters are almost all men.” Only one or two women have plays in New York this season.

However, while unhappy with the current state of the theater industry, Lichtig continues her work play writing. For Lichtig, “to be a practical playwright, you should write a play that can be done on a bare stage.” However, she doesn’t see that as a limitation. One of her plays, for example, is set in “a very elaborate tree house” she said, and “this can all be done on a bare stage and very few props.” Louise Smith, theater professor at Nonstop Institute was drawn to “Blood Sisters” not only because of the writing, but also because it could be performed with few people in a small space, allowing for maximum flexibility; she hopes to do a reading of the play in Yellow Springs this winter.

While Lichtig’s repertoire includes imaginative and magical elements, her work also finds solid ground in social, political, cultural and environmental issues. Lichtig’s winning Goshen Peace Play “Blood Sisters” is based on real events from 2003, when three nuns were convicted in Denver for defacing a nuclear weapons site. “Robin clearly takes affective poetic liberties with the story and creates characters that are charming and unexpected.” Smith said, when asked about the play.

Lichtig’s work can be found outside of theaters, too. Her publishers include Bakers Plays, Dramatic Publishing, Smith & Kraus, Brooklyn Publishers, JAC Publishing and Promotions, ArtAge, Mae West Fest, and ManhattanTheatreSource.

In 1959, Lichtig entered Antioch College in the visual arts program. Within the year, she switched to political science; in 1963 she “ended up joining the PeaceCorp and dropping out of Antioch, which was a huge mistake.” For the next twenty years she remained politically and socially active and continued her education, including a masters degree in play writing at the age of 50 from Antioch McGregor. Since then, she’s authored over 40 plays and won numerous contests.

Community Confused by Announcement

By Jeanne Kay
On Friday, February 22nd, Interim President Andrzej Bloch announced to the Antioch Community “the reconfirmation of the decision to suspend operations of the college on June 30th for at least one academic year.” Students, faculty, staff, alumni and Yellow Springs residents gathered, like they had many times since last June, for an emergency community meeting in McGregor 113. The Interim President had just flown back from Los Angeles, where the Board of Trustees (BOT) meeting was still being held, to present the college community with the resolution of the trustees’ discussions concerning the immediate future of Antioch College.
The discussions took place on Thursday the 21st, Bloch specified in a later interview; they started early in the morning and lasted until the mid-afternoon. The negotiating team, composed of Chancellor Toni Murdock, Chair Art Zucker, Chief Financial Officer Tom Faecke, and two attorneys, presented the trustees with a report based on their negotiations with the Antioch College Continuation Corporation (ACCC.) The trustees, Bloch said, “concluded that there weren’t sufficient material, sufficient grounds, to take action.” Therefore he decided, with the approval of the board, to come back to campus to inform the community. Continue reading Community Confused by Announcement

Cuban Arts at Antioch: Two Events

by Alaa Jahshan
        Listening to Jane Bunnet and the Spirits of Havana improvise through a fusion of Jazz and Caribbean beats is like watching a painter create a masterpiece before your eyes. Jane Bunnet and the Spirits of Havana performed for their third time at Antioch College. After playing a piece that got many heads bobbing, Jane Bunnet introduced the band, including her husband Larry Cramer on trumpet, Osmany Paredes on piano, Yunior Terry on bass, Jorge Najarro on timbales, and Arturo Stable on congas.
        Bunnet’s performance on the soprano saxophone was far more enticing than her solos on flute. She improvised and performed with fluid technique that was easily moving. Her squeals and reaches into the upper registers were very exciting to hear coming out of a soprano saxophone. Paredes’ hands could be seen from time to time jumping up and down, dribbling into many juice chords and arpeggios. Terry’s skill in playing bass was very integral to the performance of the group, as were the two percussionists. The three added a lot by being singers and improvising for short bits within the pieces they played. Solos by Cramer were wonderful yet sometimes felt pushed. As commented on by several audience members, the sextet did not perform so harmoniously together, yet still were extremely skillful.   Continue reading Cuban Arts at Antioch: Two Events

Last Poets at Antioch

By Alex Mette

This Saturday night Antioch hosted the ‘Godfathers of Hip Hop,’ The Last Poets.  The group’s name is a reference to a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed that the era of poetry was at an end, soon to be replaced by that of guns.  The group, originally Felipe Luciano, Gylan Kain, and David Nelson, was born on Malcolm X’s birthday (May 19) at Marcus Garvey Park, East Harlem, 1969.  Today The Last Poets are: Abiodun Oyewole, Umar Bin Hassan, and Don Babatunde Eaton.  Like Malcolm X himself, the Last Poets have changed their political ideologies over time, and today denounce much of modern Hip Hop music.  An article by DuEwa M. Frazier entitled, “The Last Poets: Still on a Mission,” quotes Abiodun Oyewole as saying that “Hip Hop has become a circus. The vehicle is still the same, but the artists, the drivers are silly. We know they’re doing this because niggas are trying to get paid, but see a lot of people are on the line to be niggas and they’re being paid to be sleazy and greasy.”  On Saturday, Oyewole spoke of the importance, or lack thereof, of rhyme in poetry.  While their use of rhythm and rhyme probably had a significant impact on what would become Hip Hop music, Oyewole stated that rhyme should come second to substance and that “You can’t just talk because your mouth runs.”  In terms of political philosophy, when asked in an interview done in 1997 how his ideas about revolution had changed, Abiodun Oyewole stated that “back then, I wanted to see everything burned and people hanged.  I wanted to see riots. The one thing that stopped me in my tracks was this guy speaking at one of our forums.  [He said] ‘You can’t really be a revolutionary until you know the kind of world that you want your kid to live in.’” Going on to say, “Now, my whole thing is, we have to see how we can be the greatest part of us, which is the healing part of us.  This self-empowerment mode is where I’m at. I’d rather that folks learn how to save themselves before they kill themselves. That’s what I’m trying to do.”       Continue reading Last Poets at Antioch