[From the Editor: On April 1st, 2009, the Concept Paper for an independent Antioch College was released on antiochians.org. Read the concept paper here.

[Click here to discuss the Concept paper on the Record's Forum]

I’ve looked over the Board Pro Tempore’s concept paper a couple times since its release a few days ago, and my feeling are, to say the least, mixed.

I have to admit that it all looks very smart and exciting. In fact, there’s a lot of that stuff that I think I could get on board with. They want to enact more diversity initiatives and make the college more international? Great. Require students to develop a working knowledge of at least one additional language? Sure. The Distinguished Faculty program, with classes taught by alumni and friends of the college? Why not?

The Board is committed to a tenured faculty. That’s good. And though it doesn’t say so in the concept paper, I understand they also want union staff. Also good.

They propose a restoration campaign, and want to make the campus more sustainable. I support them in this too, so long as we take said “restoration” measures to have maximum emphasis on utility and minimum emphasis on glamor. Concentrate on the necessities of running a healthy college in line with our values, not projecting a classy image. I think we can all agree that Antioch College is never going to be luxurious, so let’s not throw desperately needed money away trying to make it look luxurious.

I recently had a conversation with Micah Canal, 2008 graduate of Antioch College, who came back to Yellow Springs in January to join the effort to support Nonstop and for the recreation of the College. He is currently working for the College Revival Fund.

D: So, where are you from?

Micah: I was born on the side of a mountain in southern Oregon, (where we lived) without electricity. My parents went back to the land in the early 70’s. They were hippies, sort of, but I am also part redneck because of growing up in rural southern Oregon. I have always walked that line of someone who embraces my redneck-dom and also someone who was raised by college graduates, and has had a fairly privileged life. I am one of the people who loved high school, rare among the Antioch diaspora.
I was supposed to come to Antioch in 2004, and I deferred until 2005 because I was in love, and I needed to stay on the West Coast. We (my classmates and I) were informed when we got here that something called the Renewal Commission had changed the college that we thought we would be attending. To this day I am still unclear as to why… there was no information that was conveyed to us or our parents that we were going to be a part of a new, untested learning model. That was a real shock.
Fela Pierre-Louis and Olivia Leire, and I organized the first year class in the first two weeks into something called the First Year Liason Committee. It was my first experience with organizing at Antioch, and what an interesting, difficult, troubling, infighting experience it can be. We became Antiochians … for three years, and some of us graduated, and most of us didn’t. There were sixty-seven people who entered with me, and of those less than twenty graduated. I think of us as the lost class, because we were the first under the learning communities, and some of us were the last ones out, and some of us are still here. That is my brief history about Antioch.
My major in one hundred words was Social Entrepreneurship and Economic Development. I studied economics and international relations. My focus was on change-making, trying to do it from the grass roots and also within institutions. All of my professional work has been in the non-profit sector, and I imagine that is where I will stay. That will be my life’s work: social entrepreneurship, building and contributing to organizations that do good works.

Antioch is a place that I will never forget and that I will always remember. As a spiritual person I now know that it is God (whatever name you choose to give him/her) who blessed me with the know-with-all to choose Antioch College and to complete my undergraduate education. It was an American education unique to liberal arts education in America. To this day I cannot thank my human ancestors who preceded me in the Civil Rights Movement and the Abolition Movement before it at Antioch College in little old Yellow Springs Ohio. I neither am prepared to let go or to say good-bye. It is a sincere prayer of mine that Antioch College remains open and that the Board of Trustees and the Antioch College Continuation Corporation agree to such an autonomous agreement.
I did not know as a teenager entering Antioch College that I?d settle down in Yellow Springs Ohio nor that I?d enjoy working with students, faculty, staff, and administration of Antioch College as an adult well into my thirties. Yet it is true. Here I stand having been impacted by and hopefully at my best impacted Antioch College in miraculous ways only God could conjure up. Now it is important to me that all you agnostics and people that do not believe in God out there not right me off as a televangelist or evangelical Christian with the Christian Right or something.

by Alaa Jahshan
????????Listening to Jane Bunnet and the Spirits of Havana improvise through a fusion of Jazz and Caribbean beats is like watching a painter create a masterpiece before your eyes. Jane Bunnet and the Spirits of Havana performed for their third time at Antioch College. After playing a piece that got many heads bobbing, Jane Bunnet introduced the band, including her husband Larry Cramer on trumpet, Osmany Paredes on piano, Yunior Terry on bass, Jorge Najarro on timbales, and Arturo Stable on congas.
????????Bunnet?s performance on the soprano saxophone was far more enticing than her solos on flute. She improvised and performed with fluid technique that was easily moving. Her squeals and reaches into the upper registers were very exciting to hear coming out of a soprano saxophone. Paredes? hands could be seen from time to time jumping up and down, dribbling into many juice chords and arpeggios. Terry?s skill in playing bass was very integral to the performance of the group, as were the two percussionists. The three added a lot by being singers and improvising for short bits within the pieces they played. Solos by Cramer were wonderful yet sometimes felt pushed. As commented on by several audience members, the sextet did not perform so harmoniously together, yet still were extremely skillful. ?